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The Fed Can't Solve Our Economic Woes by Gerald P. O'Driscoll JR.‏

A policy of low interest rates is a textbook response of monetary authorities to the economic weakness brought on by deficient aggregate demand. The policy is justified by pointing to various ways in which money can promote economic activity—including by stimulating investment, discouraging savings, encouraging consumption spending, and allowing individuals to lower their debt burdens by refinancing existing debt. While these effects are theoretically plausible, this textbook policy does not apply to our present situation.

First, our lingering crisis and economic weakness was brought on not by a Keynesian failure of effective demand, but by a Hayekian asset boom and bust. Second, the textbook case for low interest rates treats the policy as one of benefits without costs. No such policy exists.

The housing boom and bust was a classic asset bubble, such as occurred frequently in the 18th and 19th centuries. Easy money working through cheap credit made long-term investments appear more valuable than would otherwise have been the case.

In most cases, investment booms drive industries with sound fundamentals. When the cheap credit keeps flowing, however, fundamentals are forgotten and the process evolves into a mania (to use the old-fashioned term). What cannot be sustained will not be, so the boom ends in a crisis.

In these scenarios, the collapse of demand is a consequence—not the cause—of the bust. Policies to address crises must get cause and effect right.

When housing prices peaked and then turned down, there were repercussions throughout the financial system and then the broader economy. Mortgage-related securities soured, hitting the balance sheets of the institutions that had purchased them. As that became known, the prices of the securities of these institutions (mainly but not exclusively financial) fell. Credit dried up and the economy tanked. A general rout in the stock market ensued.

The financial panic and ensuing great recession was a classic balance-sheet recession. As balance sheets shrank in value, demand collapsed. There was a liquidity crisis as well, centered around Lehman's collapse, but the driving force was collapsing balance sheets, impaired capital values and, for many, insolvencies.

The declines in home values, investor portfolios and 401(k) plans, and the uncertainties surrounding retirement plans, have all had a big impact. The solution lies in restoring balance sheets. For financial firms, that means raising capital. For consumers and businesses alike, that means saving more of their reduced incomes.

Yet public policy has focused almost exclusively on stimulating spending without much regard to why spending, especially consumption, has flagged. Until balance sheets (corporate and household) are restored, increased spending cannot be sustained.

Temporary spending and tax breaks are always dubious, and especially so now when the rational motivation is to save more and consume less. One-off tax credits for homes, for example, merely borrowed sales from the future. These fiscal programs predictably depressed rather than augmented future consumption.

What is in short supply is not liquidity, but savings. The Fed can supply the former but not the latter. Both fiscal and monetary polices need to shift their focus. The Fed has done the heavy lifting and responded more than adequately to liquidity issues. Now there is little further it can do that is beneficial.

Its move toward Japan-style quantitative easing is a misstep. And historically low interest rates—about which the Bank of International Settlements, the bank for central banks, sounded a warning in its 2009/2010 annual report—will inevitably distort economic activity, as they did during the housing boom. Low interest rates slow the process of restoring balance sheets by keeping asset prices artificially inflated. They also penalize saving, thus prolonging the process of rebuilding balance sheets.

In the fiscal realm, policy must be reoriented from stimulating consumption to encouraging productive investment (not renewed financial speculation). That means no income-tax increases or costly new mandates. In particular, the Bush tax cuts should not be allowed to expire. No matter how the administration spins it, their expiration would entail a large increase in marginal tax rates in the midst of economic weakness. That would further impede savings and capital accumulation, discouraging firms from expanding and hiring workers. Treasury Secretary Tim Geithner is proposing to repeat the mistake of Herbert Hoover, who persuaded Congress to raise taxes in 1932.

Markets are resilient, but their recovery can be impeded by bad policies. At present, both monetary and fiscal policies are on the wrong track.

Mr. O'Driscoll is a senior fellow at the Cato Institute. He was formerly a vice president at the Federal Reserve Bank of Dallas and later at Citigroup.

What 'To Kill a Mockingbird' Isn't by Allen Barra

Artículo de Allen Barra en el que desmitifica la novela Matar un ruiseñor de Harper Lee.

Cuando lo leí me gusto el libro y la película es una obra maestra total y absoluta (c) Carlos Pumares.



ARTÍCULO:

Georgia had Flannery O'Connor and Carson McCullers; Mississippi had William Faulkner and Eudora Welty; Louisiana inspired the major works of Kate Chopin and Tennessee Williams. Alabama had. . .

Well, while Zora Neale Hurston and Walker Percy were born in Alabama, those two great writers didn't stick around my home state for long. And as for Harper Lee—Alabama born, raised and still resident—she doesn't really measure up to the others in literary talent, but we like to pretend she does.

Ms. Lee is at the head of the Southern class in one big way, however: The numbers are imprecise, but according to a 1988 report by the National Council of Teachers of English, her novel, "To Kill a Mockingbird," was required reading in three-quarters of America's high schools. Since its publication 50 years ago this summer, it probably ranks just behind "The Adventures of Huckleberry Finn," with American high-school students not only required to read the book but to tackle related projects. These range from drawing the courthouse where Tom Robinson, a black man accused of raping a white woman, was defended by Atticus Finch, to writing articles for the Maycomb Tribune recounting the trial, and recasting the movie with contemporary actors. (In 2006 my daughter, attending a public high school in New Jersey, cast Kevin Kline as Atticus and Abigail Breslin as his young daughter, Scout.)

One estimate credits the book with over 30 million copies sold—many, no doubt, due to the enduring popularity of the hugely successful 1962 film version, described by The New Yorker's Pauline Kael as "part eerie Southern gothic and part Hollywood self-congratulation for its enlightened racial attitudes." (Gregory Peck's Atticus, Kael wrote, was "virtuously dull," surely a phrase that can be accurately applied to Ms. Lee's model.)

Ms. Lee's only novel came along at exactly the right time: the year John F. Kennedy was elected president and the beginning of the decade in which the civil-rights movement began to change the South forever.

Naturally, it won the Pulitzer Prize. Its sentiments and moral grandeur are as unimpeachable as the character of its hero, Atticus. He is an idealized version of Ms. Lee's father, who, in real life and by contrast, according to biographer Charles J. Shields, once remonstrated a preacher in the family's hometown of Monroeville, Ala., for sermonizing on racial justice. Atticus bears an uncanny resemblance to another pillar of moral authority—the Thomas More depicted in Robert Bolt's "A Man for All Seasons," which appeared on the English stage the year "To Kill a Mockingbird" was published. Atticus does not become a martyr for his cause like Sir Thomas, but he is the only saint in a courtroom full of the weak, the foolish and the wicked. And like Sir Thomas, Atticus gets all the best lines.

Atticus speaks in snatches of dialogue that seem written to be quoted in high-school English papers. Among them:

• "The one thing that doesn't abide by majority rule is a person's conscience."

• "Why reasonable people go stark raving mad when anything involving a Negro comes up is something I can't pretend to understand."

• "If you can learn a simple trick, Scout, you'll get along better with all kinds of folks. You never really understand a person until you consider things from his point of view . . ."

• When asked if he loves Negroes: "I do my best to love everybody."

Atticus is a repository of cracker-barrel epigrams. He actually seems to believe the fairy tale about the Ku Klux Klan that he tells Scout: "Way back about nineteen-twenty, there was a Klan, but it was a political organization more than anything. Besides, they couldn't find anyone to scare." They gathered one night in front of a Jewish friend of Finch's, Sam Levy, and "Sam made 'em so ashamed of themselves they went away."

It's impossible that anyone who grew up in Alabama in the mid-1930s, when the book is set, would believe that story, but it's a sugar-coated myth of Alabama's past that millions have come to accept.

In all great novels there is some quality of moral ambiguity, some potentially controversial element that keeps the book from being easily grasped or explained. One hundred years from now, critics will still be arguing about the real nature of the relationship between Tom and Huck, or why Gatsby gazed at that green light at the end of the dock across the harbor. There is no ambiguity in "To Kill a Mockingbird"; at the end of the book, we know exactly what we knew at the beginning: that Atticus Finch is a good man, that Tom Robinson was an innocent victim of racism, and that lynching is bad. As Thomas Mallon wrote in a 2006 story in The New Yorker, the book acts as "an ungainsayable endorser of the obvious."

It's time to stop pretending that "To Kill a Mockingbird" is some kind of timeless classic that ranks with the great works of American literature. Its bloodless liberal humanism is sadly dated, as pristinely preserved in its pages as the dinosaur DNA in "Jurassic Park."

Harper Lee's contemporary and fellow Southerner Flannery O'Connor (and a far worthier subject for high-school reading lists) once made a killing observation about "To Kill a Mockingbird": "It's interesting that all the folks that are buying it don't know they are reading a children's book."

Fifty years later, we can concede both that Harper Lee's novel inspired a generation of adolescents and that Flannery O'Connor was right.

Mr. Barra writes about sports and the arts for the Journal.

El alto coste del barato Kindle de Amazon por Martin Peers

Artículo de Martin Peers sobre Amazon.com, el Kindle y sobre los libros electrónicos.

Destaco:

Como el consejero delgado de Amazon, Jeff Bezos, explicaba en mayo, el Kindle sería atractivo para los “lectores serios”, que según sugería podría ser el 10% de la población. Esto se traduce en casi 30 millones de personas sólo en EEUU.



Pero Amazon también afronta una competencia cada vez mayor. Sobre todo de Apple. Su iPad, pese a ser más caro, ofrece muchas más funciones que un simple libro electrónico, y hay quienes podrían considerar su uso más sencillo que el del Kindle. Hasta junio de este año, se habían vendido 3,3 millones de iPad.



Las guerras de precios pueden reducir el apetito de los inversores por las empresas. Puede que Amazon siga el único camino que tiene abierto, pero sigue corriendo el riesgo de asustar a los que no confían en el compromiso de la empresa con el balance final.



ARTÍCULO:

Algo debe cocerse en Amazon.com, dado su compromiso con los recortes de costes sin importar los daños a corto plazo.

La decisión del minorista de introducir un nuevo Kindle más barato sólo unas semanas después de rebajar el precio de la versión actual del dispositivo, confirma que Amazon piensa en el largo plazo al intentar aumentar su cuota en un mercado –en esta ocasión, el de los libros electrónicos–. Hace sólo una semana, Amazon sorprendió a Wall Street con unos márgenes operativos para el segundo trimestre menores a lo previsto, como consecuencia del aumento de las inversiones en sus negocios, incluidos los costes de márketing para el Kindle.

Con un precio de 139 dólares (106 euros), el nuevo equipo cuesta un tercio del Kindle original y casi la mitad de lo que se pagaba hace sólo cinco semanas la segunda versión. El agresivo nuevo precio debería atraer a más personas. Eso no quiere decir que el Kindle se convierta en un “producto de masas”, como sugiere Amazon; no es más probable que un lector ocasional de libros pague 139 dólares por el dispositivo que 259 dólares, pero eso no tiene por qué suponer un problema.

Como el consejero delgado de Amazon, Jeff Bezos, explicaba en mayo, el Kindle sería atractivo para los “lectores serios”, que según sugería podría ser el 10% de la población. Esto se traduce en casi 30 millones de personas sólo en EEUU.

Hay que admitir que es posible que muchos de ellos sean más ávidos lectores que compradores, y que pidan prestados los libros a amigos o los cojan de las bibliotecas. Incluso así, el Kindle dispone de margen de expansión. Youssef Squali, analista de Jefferies & Co., calcula que a fecha del 30 de junio, Amazon había vendido entre 3,5 y 4 millones de Kindle.

Pero Amazon también afronta una competencia cada vez mayor. Sobre todo de Apple. Su iPad, pese a ser más caro, ofrece muchas más funciones que un simple libro electrónico, y hay quienes podrían considerar su uso más sencillo que el del Kindle. Hasta junio de este año, se habían vendido 3,3 millones de iPad.

Amazon ha garantizado con buen criterio que los libros para el Kindle también podrán adquirirse y leerse en el iPad. Pero existe el riesgo de que los usuarios del iPad, incluso los que compren libros para el Kindle, opten en alguna ocasión por la tienda iBooks de Apple. La compañía de la manzana ya ha igualado el terreno de juego con Amazon en relación al precio de los libros electrónicos, tras alcanzar acuerdos con la mayoría de las grandes editoriales que obligaron a Amazon a subir el precio de sus best-seller electrónicos. Amazon sigue teniendo ventaja en lo referente al catálogo de libros, pero es probable que esta se reduzca.

No puede ignorarse a otros rivales como el Nook, de Barnes & Noble.

El recorte de costes de Amazon no será barato. La empresa aseguró el año pasado que los costes de fabricación del Kindle eran “significativamente más altos” que los 185 dólares apuntados por iSupply. Los costes se habrán reducido probablemente desde entonces, y al no ofrecer acceso a la red móvil también se abarata el precio. Sin embargo, sigue siendo probable que la compañía pierda dinero al vender cada unidad a 139 dólares. Algo positivo de la amenaza de Apple es que las subidas forzadas de los precios de los libros electrónicos deberían haber mejorado los márgenes de Amazon en este apartado.

Las guerras de precios pueden reducir el apetito de los inversores por las empresas. Puede que Amazon siga el único camino que tiene abierto, pero sigue corriendo el riesgo de asustar a los que no confían en el compromiso de la empresa con el balance final.


Lea el artículo original publicado en The Wall Street Journal Europe The High Cost of Amazon's Cheap Kindle

©2010 Dow Jones & Company, Inc. All Rights Reserved

Humans: Why They Triumphed by Matt Ridley

Artículo de Matt Ridley, enlazado por Arcadi Espada, sobre por qué prosperó la raza humana hace 45 000 años, el porqué del salto que se dio en esa época. La conclusión del artículo es que se debe a la suma de inteligencias de toda una comunidad, inteligencia colectiva, y al intercambio de esas ideas con otras comunidades, el comercio de ideas.

Cuando lo leo me parece muy coherente, racional y convincente.

Destaco estos párrafos:
"The answer lies in a new idea, borrowed from economics, known as collective intelligence: the notion that what determines the inventiveness and rate of cultural change of a population is the amount of interaction between individuals.

But the sophistication of the modern world lies not in individual intelligence or imagination. It is a collective enterprise. Nobody—literally nobody—knows how to make the pencil on my desk (as the economist Leonard Read once pointed out), let alone the computer on which I am writing. The knowledge of how to design, mine, fell, extract, synthesize, combine, manufacture and market these things is fragmented among thousands, sometimes millions of heads. Once human progress started, it was no longer limited by the size of human brains. Intelligence became collective and cumulative.

We tend to forget that trade and urbanization are the grand stimuli to invention, far more important than governments, money or individual genius. It is no coincidence that trade-obsessed cities—Tyre, Athens, Alexandria, Baghdad, Pisa, Amsterdam, London, Hong Kong, New York, Tokyo, San Francisco—are the places where invention and discovery happened. Think of them as well-endowed collective brains.

It is precisely the same in cultural evolution. Trade is to culture as sex is to biology. Exchange makes cultural change collective and cumulative. It becomes possible to draw upon inventions made throughout society, not just in your neighborhood. The rate of cultural and economic progress depends on the rate at which ideas are having sex.


Once human beings started swapping things and thoughts, they stumbled upon divisions of labor, in which specialization led to mutually beneficial collective knowledge. Specialization is the means by which exchange encourages innovation: In getting better at making your product or delivering your service, you come up with new tools. The story of the human race has been a gradual spread of specialization and exchange ever since: Prosperity consists of getting more and more narrow in what you make and more and more diverse in what you buy. Self-sufficiency—subsistence—is poverty.


Where population falls or is fragmented, cultural evolution may actually regress. A telling example comes from Tasmania, where people who had been making bone tools, clothing and fishing equipment for 25,000 years gradually gave these up after being isolated by rising sea levels 10,000 years ago. Joe Henrich of the University of British Columbia argues that the population of 4,000 Tasmanians on the island constituted too small a collective brain to sustain, let alone improve, the existing technology.


Why it happened in Africa remains a puzzle, but Steve Kuhn and Mary Stiner of the University of Arizona have argued that for some reason only Africans had invented a sexual division of labor between male hunters and female gatherers—the most basic of all trades.

There's a cheery modern lesson in this theory about ancient events. Given that progress is inexorable, cumulative and collective if human beings exchange and specialize, then globalization and the Internet are bound to ensure furious economic progress in the coming century—despite the usual setbacks from recessions, wars, spendthrift governments and natural disasters.


The process of cumulative innovation that has doubled life span, cut child mortality by three-quarters and multiplied per capita income ninefold—world-wide—in little more than a century is driven by ideas having sex. And things like the search engine, the mobile phone and container shipping just made ideas a whole lot more promiscuous still".